Künstlerroman
In a number of rooms in a number of states
I began then abandoned notebooks.
Pages long and blank. Sparse fragments
in the margins: eager for otherwise a second infancy
Inside me, bones inflating,
kites crowding a florid dome.
In answer to a question, the poet said
I write to return opacity to the glassbright world.
Line after line slackened. My benedictions
darkened like lack into night’s eventual black.
The dead artist said for a painting to move us,
it must become, not remind us of life.
I stood vainly for many months, watching snow
sink to the bottom of my mirror.
For protection, I studied the contours
of a deeper sorrow than the kind I grew.
I thought I thought best with my hands
in my hair, sweeping fears off my face.
My nothing was novel—my desire
for a different ending is a failure of imagination.
All my life it’s been there, dormant
knell ringing my neck.
I was a finch, a feathered bellwether.
Or I am an organ wringing, then wrung.
Copyright © 2026 by Sarah Ghazal Ali. Originally published in Poem-a-Day on May 29, 2026, by the Academy of American Poets.